Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Amusing Ourselves to Death: Public Discourse in the Age of Show Business

by Neil Postman

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A prescient critique arguing that television has transformed public discourse into entertainment, degrading politics, education, religion, and journalism into shallow spectacle. Postman contrasts Orwell's fear of authoritarian censorship with Huxley's vision of a populace pacified by pleasure, concluding that Huxley's dystopia more accurately describes modern America.

Published:
Pages:
184
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In the Conversation

In this collection, Amusing Ourselves to Death: Public Discourse in the Age of Show Business references 3 other books and is cited by 1 other book.

It draws on The Structure of Scientific Revolutions, Influence and The Soul of a New Machine.

It’s picked up by A World Without Email: Reimagining Work in an Age of Communication Overload.

Scroll down to read the exact passages where other authors reference this book and what they say about it.

What This Book Draws On

3

The books Postman references and why each one mattered to the argument.

Applies Kuhn's concept of paradigm shifts to media history, arguing that the transition from print to television constitutes a fundamental epistemological revolution in how truth is established

Engages with Cialdini's principles of persuasion to explain how television's emphasis on image and likability over substance reshapes political communication into a contest of emotional appeals

Influence

References

Influence

by Robert Cialdini

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Shares Kidder's concern from The Soul of a New Machine about technology's seductive power over human attention, but shifts the lens from computing engineers to an entire culture captivated by television's entertaining glow

The Soul of a New Machine

References

The Soul of a New Machine

by Tracy Kidder

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What Other Authors Say About It

1

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Influence

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